Crafting Characters: A Beginner's Guide to Developing Well-Rounded and Compelling Personalities

In the realm of storytelling, characters serve as the beating heart of any narrative, guiding readers through the highs and lows of the plot. Crafting memorable characters requires a delicate balance of creativity and understanding of human nature. In this post, I'll delve into effective character development techniques that breathe life into your protagonists, antagonists, and supporting cast, ensuring they resonate with your readers. While each of the following topics/techniques deserve their own post in the future, for now I will just be providing a basic summary of each.

1. The Crucial Role of Character Arcs: A character arc is the transformative journey a character undergoes throughout the story. From the beginning to the end, characters should evolve, facing challenges and experiencing personal growth. Whether it's a positive transformation, a tragic downfall, or a complex combination of both, well-executed character arcs add depth and relatability to your story. This not only involves how they react to given situations, but how they influence the behavior of other characters through their own actions.

2. Motivations as Driving Forces: Dig deep into your characters' motivations. What are their goals, desires, and fears? Understanding what propels your characters forward or holds them back is essential. Motivations shape their decisions and actions, providing a lens through which readers can connect with and invest in the characters' journeys.

3. Layered and Unique Traits: Avoid one-dimensional characters by infusing them with a mix of strengths, weaknesses, quirks, and flaws. Think about how their past experiences, relationships, and personal histories contribute to who they are. This can also be influenced by physical traits that not only differentiate the characters, but alter physical behavior or how one is perceived (i.e. battle scars, eye patch, broken leg, messy hair, etc). By creating characters with layered traits, you make them more relatable and dynamic.

4. Backstories That Illuminate: Craft compelling backstories that shed light on your characters' pasts. A well-crafted backstory reveals the roots of their motivations, fears, and personality traits. It's the foundation upon which their present-day actions and decisions are built, providing readers with a comprehensive understanding of who they are. As mentioned in the previous post, writing out a list of summarized backstories can help establish consistency in how your characters think and act.

5. Internal and External Conflicts: Introduce a mix of internal and external conflicts to challenge your characters. Internal conflicts, such as inner struggles or moral dilemmas, add complexity to their psychological makeup. External conflicts, on the other hand, test their resilience and force them to adapt to the changing circumstances of the plot.

6. Dialogue that Speaks Volumes: Develop distinct voices for your characters through dialogue. Pay attention to their speech patterns, vocabulary, and the nuances of their communication style. This can be further influenced by culture, region, and social class, granting a new layer of characterization that makes the fictional characters of a book appear more human and diverse. Dialogue is not just a tool for conveying information; it's a window into the characters' personalities and relationships.

7. Show, Don't Just Tell: Instead of directly telling readers about your characters, show their personalities through actions, reactions, and interactions with the world around them. Allow readers to infer traits and motivations through the characters' behavior, making the experience more immersive.

Remember, the most compelling characters are the ones with whom readers can empathize, cheer for, or even feel conflicted about. Take the time to explore the intricacies of your characters' identities, and your readers will be rewarded with a rich and immersive storytelling experience. Craft characters that linger in the minds of your audience, leaving an indelible mark long after they've turned the last page.

The Power of Mind Mapping in Crafting Compelling Narratives

     As a writer, you understand the importance of weaving intricate plots and compelling characters to engage your readers. However, the process of structuring a story can often seem like navigating a complex labyrinth of ideas. This is where mind mapping emerges as a powerful tool to streamline your creative process. In this article, we delve into the world of mind mapping and how it can aid in the development of a captivating narrative.

Understanding the Essence of Mind Mapping:

Mind mapping is a visual technique that allows you to organize thoughts, ideas, and concepts in a structured yet flexible format. It's used to facilitate brainstorming, organization, and the exploration of ideas in a structured yet flexible manner. By creating a visual representation of interconnected elements, you can grasp the broader scope of your story while simultaneously focusing on intricate details that bring depth and richness to your narrative.

Laying the Foundation:

To begin the mind mapping process, it is best to identify the core elements of your story. Define the central theme, characters, setting, and overarching plot points. From this central idea, branches radiate outward, representing key aspects or subtopics related to the central theme (these can be subplots, character backgrounds, thematic motifs, etc). These branches can then further extend into sub-branches, allowing for the exploration of more specific details or related concepts.

To enhance clarity and visual appeal, mind maps often incorporate color-coding, icons, and visuals to distinguish between different categories or emphasize important points. The use of arrows and connecting lines helps to showcase relationships, dependencies, or sequences between various elements on the map. As ideas evolve, the mind map can be revised and updated, enabling the continuous development and refinement of the overall concept.

Mapping Character Arcs and Relationships:

Utilize the interconnected branches of your mind map to chart the progression of your characters' arcs. Delve into their motivations, fears, and desires, and map out the pivotal events that shape their development throughout the story. Establish the relationships between characters, highlighting the dynamics that drive conflict, growth, and emotional resonance within the narrative. If creating a mind map for several characters is too taxing, then focus on writing a short description of their personal traits, motivations, and relationships in the story. Recording such information beforehand can ensure that a character's behavior remains consistent to who they are (or attempt to be) in the story.

Plot Development and Story Structure:

Visualize the progression of your story's plot by outlining key events, twists, and climactic moments within your mind map. Identify the rising action, turning points, and resolution, ensuring a cohesive and engaging storyline that maintains the reader's curiosity and emotional investment from beginning to end. Experiment with alternative plot routes and explore the consequences of different narrative choices to refine and strengthen your storytelling approach.

Exploring Setting and Atmosphere:

 

Utilize mind mapping to delve into the intricacies of your story's setting and atmosphere. Capture the vivid details of locations, time periods, and sensory elements that immerse readers in the world you've crafted. Leverage the visual nature of mind mapping to evoke the ambiance and mood that align with the thematic undertones of your narrative, creating a compelling backdrop that enhances the overall storytelling experience.

Personally, I utilize a comprehensive timeline of events in conjunction with a list of all characters and locations, along with their descriptions. Locations hold descriptions of what and where they are, along with the listing of relevant dates. My list of characters (organized by books), at a bare minimum, describes who they are and what they are doing in the story. Main characters always have a more detailed description, including looks, profession, social connections, and goals.

Finally, my timeline not only lists important events by the month and year in the connected stories, but events that do not even appear in the books themselves. This way, I always have access to an aspect of the narrative that was previously left undisclosed. History, even when left unknown to the reader, has a way of shaping how our characters behave. It is up to the author to keep such motivations consistent, and anything that can help foster such consistency, be it mind mapping, writing a list, or developing a timeline, becomes a boon throughout the writing process.

Refining and Revising Through Visualization:

Embrace the dynamic nature of mind mapping to facilitate the revision and refinement process. Use color-coded branches, annotations, and additional layers to keep track of revisions, edits, and new ideas that emerge during the writing journey. Visualizing the evolution of your story through the mind map empowers you to maintain a holistic perspective while making precise adjustments that enhance the coherence and impact of your narrative.

Mind mapping transcends the traditional constraints of linear thinking, allowing you to explore the depths of your creativity and craft a story that resonates with readers on multiple levels. Embrace the fluidity and versatility of this technique as you embark on your writing odyssey, and witness your ideas flourish into a vivid and unforgettable literary work.

Unlock Your Creativity: 8 Effective Tips for Generating Unique Book Ideas

Are you an aspiring writer eager to embark on the exhilarating journey of crafting a book? Are you hoping to be more productive and successful than I am? One of the initial challenges you may face is brainstorming compelling book ideas that captivate your readers' imaginations. Generating unique and engaging concepts can be a daunting task, but fear not! I have compiled a list of effective tips to help spark your creativity and kick-start the writing process.

1. Explore Your Passions and Interests: Start by exploring your passions and interests. What subjects or topics have always fascinated you? Whether it's history, science fiction, or personal development, delving into your areas of enthusiasm can inspire authentic and captivating storylines.
2. Draw Inspiration from Real-Life Experiences: Real-life experiences can serve as a wellspring of inspiration. Reflect on significant moments, encounters, or challenges you've faced. Consider how these experiences can be transformed into compelling narratives, weaving in elements of relatability and emotional resonance.
3. Engage in Freewriting: Clear your mind and let your thoughts flow freely onto the page, ignoring anything that could potentially slow you down, such as proper grammar or punctuation. Engage in freewriting sessions to explore various ideas without the constraints of structure. Any information you wish to save can be reorganized later.
4. Begin a Session of Mind Mapping: Mind mapping can also be a valuable technique to visually organize your thoughts and identify potential connections between different concepts. A mind map involves writing down a central theme and thinking of related ideas that stem from it. By focusing on key ideas and looking for the connections between them, you can map your knowledge in a way that will help you to better understand and retain information.
5. Read Widely and Analyze Existing Works: Immerse yourself in a diverse range of literature. Analyze existing works in your preferred genre to understand the key elements that make them resonate with readers. This may feel like a distraction from your own writing, but this analysis can provide insights into effective storytelling techniques and help you identify gaps or unique angles for your own narrative.
6. Brainstorm with Collaborators or Writing Groups: Collaborate with fellow writers or join writing groups to engage in collaborative brainstorming sessions. Sharing ideas and receiving constructive feedback can stimulate fresh perspectives and help refine your initial concepts, leading to the development of more nuanced and compelling storylines.
7. Ask "What If" Questions and Experiment with Concepts: Fuel your creativity by asking "What if" questions that challenge conventional norms or explore unexpected scenarios. Experiment with alternate realities, character motivations, or plot twists to uncover innovative storylines that provoke thought and intrigue. This is best paired with a mind mapping session to better map out the related consequences of a given setting, circumstance, or character action.
8. Keep a Journal and Capture Random Ideas: Cultivate the habit of maintaining a journal (or Word document) to capture random ideas that pop into your mind. These seemingly insignificant thoughts or observations can later serve as seeds for fully-fledged book concepts. Regularly revisit your journal to nurture and expand upon these initial sparks of inspiration.

Remember, the process of brainstorming book ideas is as unique as your creative voice, and the same techniques can be used for developing the content of the book as well. Embrace the journey with an open mind, allowing yourself the freedom to explore diverse avenues of inspiration. Nurture your imagination, and with persistence and dedication, you may unearth the perfect idea with the potential to blossoms into an unforgettable literary masterpiece.

Prior Obligations

Unsurprisingly, my personal life has led to a lack of updates on not only this blog, but the books in general. I have mainly focused on uploading art to my online stores, primarily Redbubble, in an attempt to potentially earn a different form of income while eventually driving organic traffic back to the books I still intend to publish. I had also focused on uploading to a Society6 store, which actually took more time, but never generated any sales. Redbubble has at least provided a few purchases while generating a few hundred likes, so that will remain my focus in this space. The online store on my main website, epicofold.com, will need to be reworked. Frankly, I have too many potential products to sell, which slows down the website (at least given how it is currently configured).

Moving onto the books, my main focus was originally editing and adding new content to my second book: "Plight of the Gods". My understanding of what I had to do to get the new edition ready (and relist the title on Amazon) was honestly a bit shallow. This is because I had a set of new scenes utilizing newly-introduced characters from the first book's rewrite, one of which creating a nasty case of writer's block. Essentially it covers a scene of different characters using their reasoning to reach a certain conclusion based on previous events in the first story, eventually devolving into a drawn-out fight. I had multiple options for the battle written out, such as who's abilities would be used and in what way, but the whodunit section of the chapter proved the most difficult. In fact, I still haven't made time to complete it despite knowing I don't have a choice.

My other attention has been on the creation of an art book, titled "The Dream Compendium". The contents for that book are practically done. I will likely adjust the artwork that is used, but the written portion of the book is complete. It is from the perspective of Talmanus Acuila, a character from the third book, "The World of Whispering Strife". Obviously, the third book will need to be published before the art book, making my creation of the material an odd form of procrastination, given it delayed my progress on the second. The Dream Compendium will contain a lot of the art found within the dreamscape section of the website, though much of it is not shown on the website at all. It is essentially a collection of notes, maps, and sketches written from Talmanus's perspective and printed in color. Unfortunately, this will make the book itself the most expensive one to print, making it a niche purchase for most people (though not unreasonable as I intend for the profit margin to be rather low to compensate).

The last thing I have focused on is a new potential book trailer. I already have a need to rework the first one, adding newer images and reworking the voice. The video for the second is complete, minus the voice. It is mainly a glorified slideshow, but I feel the script and music are decent while the art is top notch. I also decided to try out a different video editor, which did take time to learn, but was overall worth it. To get the voice-over work complete, I will either need to find the right voice actor for the job or find the right AI service to read from the script in a convincing way. My ability to do that will determine when the new trailers get added to the website and elsewhere.

Overall, updates to the website will come first before the second book gets republished. I cannot reasonably give a timetable for this as I would ultimately fail to follow it anyway. For one thing, the blogging plugin no longer works, so unless I can fix this, that whole section will get scrapped (which is partly why I skipped updates). I also intend, again, to change the online store and add more relevant images for some of the books. Provided I figure out what needs to be done, this work alone will only take a few days. I also intend to write more general blog posts about writing in general, such as tips about the writing process or self-publishing that I've had to learn the hard way. Look forward to it!

Opening the Store

For a while, I've been thinking about ways to not only market the books, but the additional materials I could sell along with them. I originally considered printing bookmarks, which I could then distribute with the books themselves. The problem, however, is that it was incredibly difficult to find a service that did everything I wanted: printing in bulk for myself and printing one at a time for individual customers. I shelved the idea after a few weeks. But recently, the addition of the new artwork encouraged me to find another method of selling merchandise. While I have played around with Canva and Teespring, I preferred to use a company that did everything.

After several hours of work, I added a store page (https://www.epicofold.com/shop) that uses the services of Order a Print. This way, most of the art I use to show various places and events in the story can also be used to decorate one's home, be it through posters, mounted canvas, metal prints, mugs, phone cases, tote bags, shirts, pillows, etc. The only issue is that the resolution is too small for large portrayals of the artwork, such as anything above 16x16. It's also important to know that you can edit images for items like the mug and phone case so that they are at the correct size and orientation.

I'm adding new art on a weekly basis and currently have 156 images that can be used in various ways. The only thing I do not plan to do is sell the usage rights for the images. I am technically a joint owner of the artwork myself, and while I'm allowed to use it for marketing and merchandising purposes, extending those rights to another party is another thing entirely.

The New Launch

 As of last month, the relaunching of my first book was complete. After rewriting nearly all of the content and tripling its length, I can state that I'm finally happy with the start of this grand adventure. The first book will now be roughly as long as the second, with the Part II now currently receiving similar treatment. The editing process for the next book will be considerably faster, given I only need to make small changes to the timeline and alter a few specific scenes. That being said, I'm still going through chapter by chapter, making minor adjustments to things like place descriptions and dialogue tags (small details I learned to improve upon with practice). I believe these adjustments should be complete by the end of this year, if not the end of the fall season. Updates will follow once that is complete.

One may also notice that the book cover for the first book has been entirely changed. After constantly editing the front and back cover in Photoshop, I eventually came to use a new AI program to develop artwork and bought the rights to use said artwork for commercial purposes. For example, here is the original full cover spread of the first book:

 

 Next are the redesigned front and back that I planned to put together:

I really preferred the updated versions, which helped convey how a being regarded as a fallen deity could interfere in man's domain and create a growing number of zealots willing to sacrifice everything for the sake of power. I wanted to present the mysteriousness of the cosmos in the form of light cosmic horror, since there are aspects of the story influenced by H.P. Lovecraft. But that's not all there is to the book, and I fear the old cover could turn people off because its appearance is too obscure and occult (which technically fits some of the content). Yet the story is also one of hope in the face of tragedy. In the far north, the morning star (or the sun) is regarded with so much praise that it has a cultural influence on the characters. There is also a hidden realm of dreams being explored by a small group of characters, which occupies their minds with inspiration, escapism, and even glimpses of the future. So I find the updated look more reflective of this: 

As you can see, the front aligns with both the physical setting and the general theme of the first chapter. It works brilliantly to that effect. Yet it also foreshadows an event near the end of the book, where the light of dawn is more sinister than it appears. The back of the book represents what many call the Red Dawn, and in later centuries is referred to as the Day of Whispers, where the sky turns crimson red and the deities fight for control over one another, involving humanity in an endless battle. There are also hints of a biblical end of days and the same cosmic horror I was going for originally.

With the use of new artwork, I have also updated the new website with brand new art. The maps of the world were all redesigned with a program specifically made for map-making. For example, the world map that I once designed in Microsoft Excel (believe it or not), was entirely redone. 

I've also updated nearly all of the depicted scenes in the books, the page about the World of Dreams, and the info page about the gods. I will be creating some new images shortly, but they will mainly be meant for updating the new set of book covers for the unreleased books

 

 

 

 

A Year of Progress

It's been forever since I wrote an update, and given the state of past events in 2020, I regrettably did not give this blog much thought. Though I have still been writing, I had yet to document my progress. Today I will change that and start releasing more frequent updates.

First of all, the Dream Dweller Archive was published a few months ago (both digitally and in print on Amazon). I spent part of last year adding more content to that little side story, expanding upon the world's history while documenting more locations within the World of Dreams. I found there was little else I could add, so it was time to release it. Though not technically Part 3, it is best read after the second book. 

Last year, I had also joined a writing class where we shared our projects and gave each other valuable feedback. This had proved absolutely essential to improve my own writing, as I always lacked the proper number of beta readers. I have recently been in the process of rewriting the first book to reflect what I learned. Essentially, the book is going to be twice as long and should prove more exciting. I had finally figured out what I could add to the story, and all of this work should be worth it in the end. I am currently halfway through with the edit. I also plan to update the second book, but it should not require much more content. If anything, it is going to be shorter, as some of the events are being moved to the first story. Though it is a longer story to go through line by line, there is less overall to do.

Since I am making sweeping changes to the first and second book, I have stopped the physical copies from being sold online and wish to apologize to anyone who may have bought one (though I doubt many have given my sales numbers and lack of advertising). Digital copies are still up, as these should automatically be updated once the new versions are released. I expect the edits to take a few more months, but I will post periodic updates.

Publishing Complete

After a grueling few weeks of writing new chapters for the second book and formatting both the eBook and physical copy, I was able to submit both for publishing two days ago. Both are now available in Amazon. I also made some formatting changes to the first book, but am waiting for the details on the Amazon page to update before I purchase another physical copy for myself. Apparently, it takes 72 hours to fully update the store page.

The second book ended up becoming three times longer than the first, reaching 315 pages in the print version. Now that it's done (for now), I plan to edit sections of the Dream Dweller Archive, which may be published just within a month. I have a habit of never making my writing goals, but considering there's not much that needs to be added or changed, I could even release it within a week if I really wanted.

I also completed an update for the series trailer that is posted on the website. Though I didn't feel like altering the audio, the images I used are more recent, with a few added video effects. Overall, it appears more professional than just some text flying through the screen. It may also prove beneficial to eventually create trailers for the individual books, but I don't think I have the resources to make that work yet.

New Name

I decided to update the name of the blog just to better emphasize its current use, which is to detail the writing process I've gone through while making the Epic of Old series. The series name is now in the web address, and the title describes the point of the blog's current existence. I used to just post on here about random topics and musings while I was in college, but I took down most of that long ago.

Months of Work

It's been a while since the last update, so there will be much to summarize. For the third book, a new story arch with widespread consequences was added, involving a country threatening the peace within the Hendvlask Coalition. Ultimately, Rhinesvelt gets involved, and the results are not pretty to say the least. There is also more information regarding a past war that gains considerable importance by the end of the book. All that is left is completing Lucas's journey to and from Almyros, and adding more chapters showing Frederik's actions behind the scenes. I would say there are five or six more chapters to edit/write.

I have since turned my attention back to the second book and plan to release it by next month if possible. I am currently rereading it and editing certain parts so that they go into more detail about certain events. I just finished reformatting the book for the ebook release, and now I'm just working on making it more exciting than it already is while editing and redistributing some of the poems.

I have also put a considerable amount of time into changing up the website and most of the pictures on it, including the maps that will be present in the books. The first book will also receive an update soon, featuring a new Skiven map and an updated back cover for the physical version. Once I'm sure the map is finalized and the black and white version looks good enough, I'll be updating the Amazon store page with the new content. This should happen within the next two days.

I've long considered whether or not the first book needs more content, given its length, but I'm still under the impression that it would just become filler (given I've already added 10,000 words since the re-release). Given how much I've improved the overall story after planning and writing the future novels, it's not impossible that I'll think of something new to add to the first book. However, it appears to do its job just fine, acting as an exciting springboard for the rest of the books. After all, the third book was originally the first, highlighting the primary plot device that drove the story.

Finally, I want to find the best method to open up a merchandise store. For a long time, I've wanted to distribute bookmarks to market the series and already have front and back designs for two of them. There are a few print on demand websites if I want to distribute the physical copies myself, but I'm hoping to create a store page where I can just sell them for a few dollars along with a few other things. I've done this sort of thing before, but the old website I used wouldn't be the right fit for all of my needs. That being said, I'm hoping to have something set up by the time the second book is released next month.

Progress

All is going well with book three after finishing Talmanus's arc in the World of Dreams. I've figured out how to change the first chapter of the book by basically removing it and adding elements of it later in the story. The prologue and chapter two also merged together, and I added an extra scene to present a new political struggle. The few chapters after that have also been edited, so basically the first fourth of the book is done. Right now, I'm currently working on extending the chapter where Marathias meets Rhinesvelt after traveling with a band of soldiers, and then have a subsequent council meeting to flesh out after the fact. Once that is done, I have to rewrite Elizabeth's journey to Almyros and then work on the final arc involving Frederik. Hopefully, it will all be finished in the next two months.

The Release

After finally getting my domain name (epicofold.com) and getting the paid version of the website, I've more or less completed the publishing process for the first book, which is now live on Amazon and a few other stores (some still have yet to release it). I also updated the website a bit to look more modern, and added some extra detail to the page with the world maps. I also updated the trailer so that it has the website link at the end as well as credit for the music. I'm not sure if I need to add that trailer to youtube to improve distribution, but I'll leave that for another time. I still have accounts elsewhere that have to be updated for marketing purposes.

At the moment, I'm editing the physical copy of the book that Amazon will sell. I believe I'm finished with the Word document that I'm converting, though I may need to increase the font size in a few places. The main task is to create the picture that will serve as the template for the front and back cover, including the book's spine. It shouldn't be too hard to put together as long as I get the dimensions right. I downloaded an Excel document that calculates the right size for the image after inputting the book's dimensions and page count. Once the physical version gets submitted, I'll order myself one to check the quality.

I am worried about potential edits should I find reason to work on the story months from now, but I've already gone through the beta reading stage and cannot find anything else to change for now. I'll just have to keep track of the edition number and make sparse updates when needed.

Preparing to Publish

Progress with book 3 has been a little slow overall, though I have improved the outline for a new arch in the story and have filled in some chapters that desperately needed more content. I've mostly been focused on making new pictures as well as improving old ones. Essentially, I wanted most of the dreamscapes to be represented through an image to help with immersion. Since I'm nearing the completion of Talmanus's arc, there aren't too many dreams to cover unless I go to the other books. That being said, I drastically improved Rhinesvelt's first image in book one, and am adding a new image for the Giant's Chessboard.

I'm also working on final edits for the first book so that I can submit it to a wide range of publishing sites. I plan to use Draft2Digital overall, but still need to make use of Amazon separately so I can produce physical copies. For the ISBN, I'm just going to use the free one that is generated by Draft2Digital and then attach that information to the Amazon version (assuming that works). This process could actually be completed by the end of the week, but I have yet to do any announcements about the release. Basically, I need to be able to take my time to get the publishing process correct on the different platforms so that I can streamline the process in the future.

The New Arc

From what I've gathered so far, the third book is going to have at least ten new chapters, if not more. I'm well underway writing one of the new arcs featuring Talmanus, the professor, which shows him utilizing student volunteers to map out areas in the World of Dreams. Talmanus is on a quest for the root of all knowledge that may very well be hidden in a dreamscape somewhere. His journey ends with a grand adventure through various dreams on his search for the truth. His dream map is heavily connected with the Dream Dweller's work one thousand years ago, making the Archive more important to the story. I've also made two map pictures for the book and one new gif for the website.

Book 2 Done...More or Less

As far as I know, the main edits and proofreading are complete for the second book. At long last! I've also updated the website with new pictures and completed my main edits to the fourth book as well. Tomorrow, I plan to work on my major revisions to book three (The World of Whispering Strife). I've long dreaded having to work on this book again because of how challenging it will be to edit. Aside from the fact that I need to add two new arcs for side characters (meaning five or six new chapters), a lot of the narration needs to be completely altered. What's worse is I have yet to create a proper outline because my notes are disorganized. It's going to be a long day.

Evolution

A lot has happened since I last posted an update. Though I've still gotten little feedback on Omen of the Ancient, Plight of the Gods is nearly done with its extensive edits. I've added a brand new arc with new characters. There are other new chapters near the end of the book as well, bringing it to over 100k words. These new chapters have also been through the proofreading process. All that is left is one more chapter that I am halfway done completing. I've also made a large group of new pictures for the series, as well as possible back covers for the printed versions of the books.

I'm tempted to release the first two books before I finish everything else. I might even release the Dream Dweller Archive early with the first two books, which would give readers something else to look at while I perfect the Planet of Whispering Strife. The main obstacle is marketing, followed by figuring out the best way to obtain ISBN's. I'm still hoping to find more beta readers for the first book so that there's a bigger chance of it succeeding, but the main focus has been writing.

New Format

I'm still waiting for beta reader feedback for Omen of the Ancient, but what I'm hearing in just the beginning is basically what I feared: the inclusion of the poetry interrupts the flow of the story. While I can't do too much to fix this, I have reviewed all of the poems in both Omen of the Ancient and Plight of the Gods, and removed/altered what I thought was more or less unnecessary. I only scrapped three so far (going by memory), but it should be a slight improvement nonetheless. I'm also adjusting the formatting of all of the poems so that they don't have titles, they are all italicized, and they will have a center alignment on the page. This should improve the way it looks immensely, and the titles for the poems are still going to be presented in the anthology. I'm also attempting to alter how the stanzas work in a few of them so that more text can fit on the page at once, making it seem like the poetry is shorter. This isn't always possible, but some were formatted to be shorter. I still have 2 more books to go through for this process, but I suspect I'll finish this work today. 

Next Phase

After a long day of writing two days ago, I managed to get the second book, Omen of the Ancient, ready for the beta reading stage. I also have one reader right now, and plan to get a second one when I can get my first round of feedback. I noticed with the first book that even just two beta readers at once can be redundant so long as the same issues are brought up, and I'm not constrained by time, either. Having one reader at a time should be enough so long as improvements can be made after each read. This is doable since the second book will end up being the shortest in the series.

I'm also considering making Omen of the Ancient the first book, Plight of the Gods the second, and The Planet of Whispering Strife the third. Though I originally wrote it so that the events would not need to be in exact sequence, this would improve the introduction of a few key characters and plot points. Essentially, the intro book to the series would not be bombarding the reader with new concepts so early on, and important details in Final Exodus would be more likely to be picked up when transitioning straight from The World of Whispering Strife. The main barrier to this is making sure enough from Omen of the Ancient is understandable and interesting when it becomes the starting point for those new to the series.

Another important update has also been made, being the fact that I'm now about two chapters away from completing the expedition arc in Plight of the Gods. Right now, there are about ten new chapters all lined up together that I built from two or three shorter ones that only summarized the events that transpired (and not in a good way). Once the arc is complete, there are about three more chapters to complete in different spots of the book, and then that too will be ready for the beta reading phase. Plight of the Gods is now the longest book, currently sitting at 81k words, and likely going to 85k. That being said, the future changes to The World of Whispering Strife are so extensive that it might surpass that. For instance, I've written parts of a whole new character arc for Talmanus, ending his quest for the fountain of knowledge while simultaneously sharing key information about the Surveyor (eliminating a really crappy chapter that just has the Surveyor giving a monologue for no good reason). This new change had me so excited that I basically wrote the whole conclusion on a whim. When the writing happens so easily like that, you know it's a good sign.

A Spurt of Progress

I finally had a good day to get writing done and finished making my additions to what is now the second book. The opening is far better than it was, the poems are distributed better throughout the first half of the book, and there is now an extra chapter. There might still be some pacing issues in the story, but that could just be due to the book's short length. Not much I can do about it at this point until I get more beta readers. I basically realized that working on the third book is kind of silly when I still have some changes to make to the second one, and since the book is a prequel, it might read well enough on its own without the first book for context. I basically need people to read and critique it while I go back to editing Plight of the Gods.

Moving Along

Things have felt rather sluggish, but quite a few changes have occurred since the last post. The major piece of news is that I have shifted jobs, so that has been my primary focus these last two months. As for the series, some new changes have been made to the combined books to improve their readability. The beginnings and endings of the two stories have been synced pretty well. I wouldn't say it's perfect, but it's looking a lot better. I've also adjusted the story's timeline quite a bit to improve the flow of events. There are also some new chapters and scenes I intend to write to fill in some major gaps in the timeline. There is also still the issue of creating a final scene with one of the story's villains, but that has been put on hold.

Most of my recent work has been on Plight of the Gods. I've completed the whole journey of the expedition team to Tritus, so now I'm working on what they're doing there. I know most of what happens there. One of the chapters in this section is halfway done, and another has already been started. The problem is just accurately describing all the manual labor that is being done while not sounding boring or summarizing it too quickly. Once I get this done, I'll feel tempted to revisit the previous book and rework the opening, but this may require the help of more readers.

The other thing I've done this past month is create more pictures, both for the books and the website. This includes some landscapes, the planet of Atmos, and the final climax of Plight of the Gods.